| 10/8/2008 | | | |
| 10/15/2008 | | Upload your most unique image from the Bremerton field trip, TAG photo with "AU08" and either "IMM136" or "ART136," and two other appropriate tags such as fountain, Bremerton, water,reflection,etc.
CRITIQUE 3 group photos, choose one shot from the previous photographer to upload before your photo upload and two other shots for a total of at least 3 critiques. Refer to the group's DISCUSSION Topic: "The Art of Critique" if you need ideas. | |
| 10/20/2008 | | | |
| 10/20/2008 | | Photograph Karyn Carpenter's Newfy - "Arroyo" Try to get a different perspective, perhaps of other photographers, close-up of newfy head & eye, use your imagination. Include 4x6 print in midterm notebook. | |
| 10/22/2008 | | Ch 4: Controlling Sharpness Ch 5: Capturing Light & Color Ch 9: Displaying & Sharing Photos On-Screen | |
| 10/27/2008 | | | |
| 10/29/2008 | | Color Ch 6: Understanding Lenses; Ch 10 will give you some ideas for final projects | |
| 10/29/2008 | | Photograph Karyn Carpenter's Newfy - "Arroyo" Try to get a different perspective, perhaps of other photographers, close-up of newfy head & eye, use your imagination | |
| 10/29/2008 | | Photograph Karyn Carpenter's Newfy - "Arroyo" Try to get a different perspective, perhaps of other photographers, close-up of newfy head & eye, use your imagination | |
| 11/3/2008 | | Apply what you've learned from Karyn Carpenter and wildlife photographers. Photograph your pets or wildlife: salmon in Chico Creek, birds on the Silverdale waterfront, work with foreground elements, shallow depth of field to isolate your subject. Print one 4x6, contact sheet of 20 or more and a photo journal. | |
| 11/5/2008 | | turn in your notebook AND Rubric form with your name on it!
RUBRIC form needs to be updated | |
| 11/12/2008 | | Ch 7: On-Camera Flash Photography Ch 11: Beyond the Still Image | |
| 12/1/2008 | | Ch 8: Studio Photography Ch 10: Displaying & Sharing Printing Photos | |
| 12/1/2008 | | Print one photos from the Macro shoot. Write a paragraph about your technique and submit with your final notebook.
photos due 5/21 | |
| 12/1/2008 | | No late notebooks accepted! |  |
| 12/1/2008 | | print a contact sheet and several prints 4x6 or larger, or place on Flickr site shots of fellow students at Silverdale Fine Arts Gallery or other photos you shot that day; include a journal about your experience. | |
| 12/1/2008 | | REVIEW, LINK- COMPOSITIONAL ELEMENTS | |
| 12/1/2008 | | Read two articles and take part in discussion about your thoughts and feelings about the issues in digital photography. Refer to links on this site and others. | |
| 12/1/2008 | | | |
| 12/1/2008 | | Print out your minimum of 5 critiques of classmates photos, use photo vocabulary, refer to the Flickr Discussion of Critique if necessary- Quality of Critique matters!
Downsize PHOTOMERGE IMAGE, then upload to Flickr; Upload MACRO, describe method in caption field. | |
| 12/8/2008 | | | |
| 1/5/2009 | | | |
| 1/14/2009 | | Textbook Chapters 1-3, use your CD and click on the EXTENSIONS and ANIMATIONS to help you understand the concepts presented | |
| 1/19/2009 | | | |
| 1/20/2009 | | Go to the left column, Click on CLASS DOCUMENTS-> Aperture Photography Basics | |
| 1/21/2009 | | Reading Questions- APERTURE p. 1-20, complete and place in your notebook |  |
| 1/28/2009 | | | |
| 1/28/2009 | | Visitors welcome; Engineering 114, venue may change to larger room if necessary, signs will be posted. Come early if possible to assure a seat. | |
| 1/28/2009 | | Set-up your Flickr account.
Upload 1-2 of your best images from Shooting Assignment 2: MOTION;
add tags: "imm136," "wi09," "motion," "shutter speed = ___sec," any other appropriate descriptive keywords that can be used as tags such as color, place, mood. | |
| 2/2/2009 | | You critique another's photo, use 3 terms from critique Photo Journal handout | |
| 2/9/2009 | | Based on Don Paulson's "Elements of a Good Photo;" Take your inspiration from his nature photography.
Take 50-100 photos.
2 - SUBJECT: Take your inspiration from Don Paulson's presentation on 1/28. Find an object, scene or mundane subject and "work it"...make it unique by doing a study of angles, color, compositional elements. Use the composition reading for ideas. 50-100 images. (40%) In your photo journal describe the compositional elements and write a critique of one photo. (30%)
3 - PRINT one, 8x10 inkjet photos. Make contact sheet of unedited images, wallet size, at least 20.(quality of print 20%) I expect you to have images & paper to print 2/4 in class. Lab time: Fridays 1-4 pm also.
4 - Upload 2 images to FLICKR, tag "Compositional elements," Critique the two previous "composition" images on OC group, discuss 3 concepts related to the reading. (10%) There will not be time on 2/9 to print!
| |
| 2/11/2009 | | |  |
| 2/18/2009 | | Learn how to mat your photos for the photo show; receive extra credit for participating. Bring your 8x10 or larger print. | |
| 2/18/2009 | | 1) Get out and shoot the beautiful snow, frozen puddles, fog, anything that inspires you.
2) Print one image as 5x7" or 8x10" on 3600n laserjet photo paper.
3) Complete Photo Journal.
4) I'd like you to consider submitting up to 3 inkjet prints for the Photo Show in Categories: Nature, People, General, Photojournalism, Creative Technique, Animals. Theme is "One in a Million;" Photojournalism subtheme: "Take it to the Street." entries due 3/2, 7 pm. See brochure attached. Matting workshop 2/18, 5-7 pm Extra Credit: 3pts per photo entered |  |
| 2/19/2009 | | Sign-up in class | |
| 2/20/2009 | | Join Don Paulson & Laurie Usher at the Thelar Wetlands in Belfair.
2:30-5:00 pm Extra Credit, bring your long lenses for birds and wide angle for landscape as well as macro for close-ups. | |
| 2/25/2009 | | Don Paulson- | |
| 3/2/2009 | | 1)Photomerge Shoot Set up your camera for Large jpg; White Balance: test for the best light quality in the situation: flourescent, tungsten, daylight,etc. 2) Set a specific WB. 3)Set your camera on Manual and take a light meter reading from the “average” or mid-tone area; keep it on Manual. Place on a tripod or central pivot point. 4) Shoot 4-6 images as a panoramic view; overlap images 15-20%; 5) Place images in s Folder in the Desktop
6) use PhotoShop Elements 6.0 to Photomerge. 7) Create a Photomerge panorama composition Do one of the following: a)In the Editor, choose File > New > Photomerge Panorama. In the Organizer, choose File > New > Photomerge Panorama. If you selected two or more files from the Editor, click Browse to navigate to the source files or folder you want to use to create the Photomerge Panorama composition. When you’ve added all the source files, click OK to create the Photomerge panorama composition. The source files open automatically and are processed. If the composition can’t be automatically assembled, a message appears on‑screen. You can assemble the composition manually in the Photomerge dialog box by dragging photos from the lightbox into the work area, and assembling them there manually. After the new panorama image appears in the Photomerge dialog box, you can work with individual source files and change your view of the work area. If you need to rearrange the order of the images, drag an image in the work area to reposition it, or rearrange the images in the light box. (If necessary, deselect Snap To Image to arrange the images where you want.) If necessary, adjust the vanishing point or blending settings of your composition. b) Click OK to generate the panorama as a new file. c) Downsize to 1200 pixels width, 72 pixel resolution.
d) If you have not yet printed, just upload to the Flickr page, Tag as "Panoramic;" do Photo Journal.
e) Extra credit: Print one copy (.5 pt) for notebook and show in class. start 2/18- due 3/2
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| 3/2/2009 | | | |
| 3/15/2009 | | | |
| 3/16/2009 | | | |
| 3/18/2009 | | | |
| 3/29/2009 | | | |
| 3/30/2009 | | Find your camera. Charge the batteries. Make sure it has at least a 512 mb minimum memory card. Fill out the following: 1) Battery Type, i.e. AA rechargeable, built-in rechargeable; 2) Memory Card Type, i.e. compact flash, SD (secure digital), etc.; 3) current size of your memory cards or how many MB or GB, 512 MB, 1 GB, 2 GB, etc.; 4) How many Megapixels is your sensor: 5 mp, 7.1 mp, 12.3 mp, etc.; 5) What is the Bit Depth of your camera? Check the Index of the User Manual or Specifications on manufacturer's website. PLACE IN YOUR NOTEBOOK. | |
| 4/1/2009 | | | |
| 4/6/2009 | | Ch 1: Digital Cameras & Images Chapters 2: Digital Workflow Ch 3: Controlling Exposure | |
| 4/8/2009 | | Shooting Assignment one – 1) Shoot 50-ish images in Large or Fine Quality. 30% of people or animals; 30% of natural objects; 30% human-built objects. Shoot in two different shooting MODES, i.e. P, AV, TV, Portrait, Sports. 2) Print Contact Sheet with wallet size images in your choice of programs: Picasa, PhotoShop Elements, or Lightroom. 3) Make two 5x7 prints; one from your AV or portrait photos and one print from your Program or Auto photos, one from your sports or TV mode. Make them at home or at a college laser printer. For more info on Contact Sheet techniques, see attached document.
| |
| 4/15/2009 | | Upload your favorite photo shot so far to OC Photo Flickr site AND critique at least TWOphoto on our site. | |
| 4/29/2009 | | | |
| 5/4/2009 | | | |
| 5/13/2009 | |
Probably the single most popular form of photography is portrait photography. Businesses that specialize in wedding portraits, school portraits, family portraits, "glamour" shots, even "boudoir" photography continue to thrive. People love to surround themselves with photos of family, friends, and loved-ones.
Portrait photography can take many forms, from stiffly posed formal portraits to the spontaneity of candid photos. Portraits are shot in studios, outdoors, just about anywhere and in any lighting condition. The challenge for the portrait photographer is to create an image that is visually pleasing, well exposed and posed, and also conveys something about the subject.
Assignment Produce two or more portraits. Read chapter 8.
In class we will set up the studio lights and discuss different options for lighting subjects. Take turns photographing your classmates (and/or other willing subjects). Experiment with poses, expressions, props, and of course lighting. See how much personality you can bring out in the images. Try to create different moods—happiness, fear, anger, surprise, inquisitiveness, etc.
You can also photograph subjects outside in natural light, or in other artificial lighting settings, but make sure you do at least one person under the studio lights.
Print contact sheets of wallet size images and 2-5x7's, and a photo journal.
http://digital-photography-school.com/13-tips-for-improving-outdoor-portraits#hide http://digital-photography-school.com/using-reflectors-to-light-your-subject#hide | |
| 5/18/2009 | | bring your camera and something to photograph up close | |
| 5/20/2009 | | see assignment above | |
| 5/20/2009 | | Go to the class Flickr site and write THOUGHTFUL critiques that demonstrate your knowledge of photography vocabulary for at least 4 images that have not yet been critiqued. | |
| 5/25/2009 | | HOLIDAY | |
| 5/28/2009 | | refer to website for weblink and directions | |
| 6/1/2009 | | upload 4 more images on Flickr taken this quarter. In Tags use "IMM136" and "SPR09" and whatever assignment to which they apply. If photos do not apply to an assignment, tag with "OPEN."
Go through your images you have uploaded to the OC Photography FLICKR class site and remove any that do not represent your best work. | |
| 6/3/2009 | | | |
| 9/12/2009 | | | |
| 9/12/2009 | | | |
| 9/26/2009 | | | |
| 9/30/2009 | | 1) Download your images onto the computer using Picasa;
2) Print Contact Sheet with wallet size images in your choice of programs: Picasa, PhotoShop Elements, or Lightroom.
3) Make two 5x7 prints; one of your favorites from the shoot and one of your most difficult or mistakes. Make them at home or at a college laser printer.
For more info on Contact Sheet techniques, see attached document. | |
| 9/30/2009 | | | |
| 10/7/2009 | | Bremerton Fountains | |
| 10/12/2009 | | | |
| 10/13/2009 | | | |
| 10/14/2009 | | Upload one image to your Flicker account, then move it into the GROUP "OC Photography." Tag with "Motion", "IMM136", "AU09" | |
| 10/21/2009 | | Go to documents for the Histogram Chart | |
| 10/22/2009 | | Upload to the OC Photo FLICKR site 1 seasonal photo and one other favorite photo from previous shoots this quarter; Tag "IMM 136" "AU09" and whatever descriptive terms apply. In the caption field describe your photo. CRITIQUE at least 2 photos of classmates this quarter; use the handout I gave you for the Photo Journal for ideas of vocabulary and concepts to address. | |
| 10/23/2009 | | | |
| 10/23/2009 | | | |
| 10/26/2009 | | | |
| 10/27/2009 | | Refer to the syllabus for the website and how to take quiz; we did Quiz 1 in class 10/21 | |
| 10/28/2009 | | Go to Class Documents for the SCORING GUIDE | |
| 11/2/2009 | | Photomerge Shoot: Large jpg White Balance: test for the best light quality in the room: flourescent, tungsten, daylight Set your camera on Manual and take a light meter reading from the “average” or mid-tone area; keep it on Manual Place on a tripod or central pivot point Shoot 4-6 images as a panoramic view; overlap images 15-20%; use PhotoShop Elements to Photomerge. Go to File-> New-> Photomerge Panorama. Print one copy for notebook and show in class on 11/9/09. http://www.adobe.com/education/digkids/lessons/smallspaces.html | |
| 11/2/2009 | | | |
| 11/4/2009 | | Refer to your syllabus for parts of notebook and order of assignments. Please label assignments clearly with assignment number and title, i.e. Shoot Assignment 2: Movement. Include 3 APHORISMS, Proposed HISTORY Person or Process and date for presentation; Proposal for FINAL. | |
| 11/4/2009 | | | |
| 11/5/2009 | | Make sure you play the the animations from the CD | |
| 11/9/2009 | | Creating Photomerge panoramas
The Photomerge Panorama command combines several photographs into one continuous image. For example, you
can take five overlapping photographs of a city skyline, and assemble them into a panorama. The Photomerge
Panorama command can tile photos horizontally as well as vertically.
When you set up a Photomerge panorama composition, you identify the files you want to merge (called your source
files), and then Photoshop Elements automatically assembles them into a single panorama. After the panorama is
complete, you can still make changes to the placement of the individual photos, if necessary.
Creating a Photomerge panorama
Your source photographs play a large role in panoramic compositions. To avoid problems, follow these guidelines
when taking pictures for use with Photomerge Panorama:
Overlap images sufficiently Images should overlap approximately 15% to 40%. If the overlap is less, Photomerge
Panorama may not be able to automatically assemble the panorama. If images overlap by 50% or more, it can be
difficult to work with them, and blending may not be as effective.
Use a consistent focal length Avoid using the zoom feature of your camera while taking your pictures.
Keep the camera level Although Photomerge Panorama can process slight rotations between pictures, a tilt ofmore
than a few degrees can result in errors when automatically assembling the panorama. Using a tripod with a rotating
head helps maintain camera alignment and viewpoint.
When photographing a panoramic scene from a high place, the natural inclination is to keep the horizon level in the
viewfinder. However, this actually produces a noticeable rotation between images. Try using a tripod to keep the
camera level when taking photographs in this situation.
Stay in the same position Try not to change your location as you take a series of photographs, so that the pictures
are from the same viewpoint. Using the optical viewfinder with the camera held close to the eye helps keep the
viewpoint consistent. Or try using a tripod to keep the camera in the same place.
Avoid using distortion lenses Lenses, such as fish-eye lenses, that noticeably distort the image can interfere with
Photomerge Panorama.
Maintain the same exposure Avoid using the flash in some pictures and not in others. The advanced blending
feature in Photomerge Panorama helps smooth out different exposures, but extreme differences make alignment
difficult. Some digital cameras change exposure settings automatically as you take pictures, so you may need to check
your camera settings to be sure that all the images have the same exposure.
Create a Photomerge panorama composition
1 Choose File > New > Photomerge Panorama.
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2 Open the files you want to stitch together by doing one of the following:
• Click Add Open Files to add files that are open in the Project bin.
• Choose Files from the drop-down menu and browse to a file on your hard disk.
• Choose Use > Folder to add an entire directory.
3 Select a calculation method.
4 Click OK to create the panorama composition. The source files open automatically and are processed
If you chose Interactive Layout calculation method or if the composition can’t be automatically assembled, you can
assemble the composition manually.
5 After the new panorama image appears in the Panorama dialog box, you can work with individual source files and
change your view of the work area. If you need to rearrange the order of the images, drag an image in the work area
to reposition it.
6 If necessary, adjust the composition by changing the vanishing point, changing the calculation method, or using
the Snap To Image option.
7 Click OK to generate the panorama as a new file.
Use the Photomerge dialog box
The Photomerge dialog box contains tools for manipulating the composition, a lightbox for storing source images
that are not in use, awork area for assembling the composition, and options for viewing and editing the composition.
You can also zoom in and out to better see the alignment of each file.
Photomerge dialog box.
A. Lightbox B. Tools C. Work area D. Selected image E. Status bar
• To navigate, select the Hand tool and drag within the work area. Or, drag the view area (the red box) or the
scroll bar of the navigator.
• To zoom, click the Zoom In icon and Zoom Out icon , or use the Zoom tool . Hold down Option to
zoom out with the Zoom tool.
B
C
E
A
D
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• To rotate images, select the Select Image tool , click the image you want to rotate, select the Rotate tool and
then drag in a circular motion around the image.
• To reorder images in the lightbox, select the Select Image tool and drag an image in the lightbox.
• To add an image to the composition, select the Select Image tool, and then drag the image fromthe lightbox to the
work area.
• To remove an image from the composition, select the Select Image tool, and then drag the image from the work
area to the lightbox.
Make sure Snap To Image is selected to automatically snap overlapping images into place when a commonality is
detected.
Change the vanishing point
The Vanishing Point tool selects the vanishing point image, which changes the perspective of the Photomerge
panorama composition.
1 Select Perspective in the Settings area of the Photomerge dialog box. The middle image is the default vanishing
point image (it has a blue border around it when selected).
2 Select the Vanishing Point tool , and click on an image in the work area to make it the vanishing point image.
There can only be one vanishing point image in a composition.
Note: Hold down the Option key when you move the pointer over an image to show the selection border of the photo.
3 If necessary, use the Select Image tool to adjust the position of the non-vanishing point images. A nonvanishing
point image has a red border around it when selected.
When you apply perspective correction to a composition, the non-vanishing point images are linked to the vanishing
point image. You can break this link by clicking the Reposition Only button, by separating the images in the work
area, or by dragging the vanishing point image back to the lightbox. After the link is broken, images return to their
original shapes.
The perspective correction only works up to an approximately 120° angle of view. If your composition has a wider
angle of view, deselect the Perspective option.
Reduce distortion and inconsistent color
Use composition options to reduce distortion in a Photomerge panorama composition.
1 Select composition options:
Cylindrical Mapping Reduces the bowtie distortion that can occurwhen you apply perspective correction. Youmust
select the Perspective option in order to apply cylindrical mapping.
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Adding cylindrical mapping
A. Original B. Cylindrical mapping applied
2 Click Preview.
The results of applying these options are visible only in preview mode and in the final, generated image.
3 To return to edit mode, click Exit Preview. | |
| 11/11/2009 | | | |
| 11/16/2009 | | | |
| 11/16/2009 | | place panoramic critique done in class in notebook; label as such | |
| 11/18/2009 | | | |
| 11/19/2009 | | see attached |  |
| 11/19/2009 | | Choose at least two that have no critiques yet; try sorting using the tags IMM 136, Au 09; please make thoughtful comments like you would want someone else to do for you | |
| 11/23/2009 | | | |
| 11/23/2009 | | Choose a Podcast, YouTube, Adobe.TV, or other tutorial about editing your imaging. Check out link on the website for ideas. Write up what you did in this format:
Your name:______________
Name of tutorial:______________
Source/web address: __________________
Description of tutorial:__________________
Describe what you thought of the process:______________
Print your before and after photo and place in notebook. | |
| 11/25/2009 | | HOW TO MAKE A PHOTOGRAM (9 min)
HOW TO DEVELOP 35mm FILM
http://www.youtube.com/watch?v=IymXunwspUA
Print your PHOTOGRAM and include in notebook as IN-CLASS ASSIGNMENT #4; Write a couple of paragraphs telling me about the value of this experience for you. What did you learn? Would you recommend this for future classes? Why? | |
| 11/25/2009 | | Place photogram and portrait print in notebook. | |
| 11/26/2009 | | To learn how to GEOTAG your FLICKR Images go to Flickr Help; print the map image and place in notebook.
| |
| 11/30/2009 | | | |
| 12/1/2009 | | print a contact sheet and a couple of your best prints | |
| 12/2/2009 | | |  |
| 12/2/2009 | | Revised Scoring Guide include Editing assignment |  |
| 1/11/2010 | | | |
| 1/11/2010 | | | |
| 1/13/2010 | | Shoot using at least 4 different SCENE MODES. Write down the shot number and kind of mode you use, i.e. Shot 1 Portrait mode.
Shoot at least 40 pictures; use at least 4 different scene modes. Photograph different things: people, buildings and nature. On Wed., Jan. 13 we'll print contact sheets and 5x7 prints: one of your favorite image and one that has a problem.
During class you will write a PHOTO JOURNAL, format available as an attached file. |  |
| 1/13/2010 | | | |
| 1/13/2010 | | | |