| 10/6/2008 | | Ch 1: Digital Cameras & Images Chapters 2: Digital Workflow Ch 3: Controlling Exposure | |
| 10/6/2008 | | | |
| 10/8/2008 | | | |
| 10/13/2008 | | HOLIDAY | |
| 10/14/2008 | | |  |
| 10/15/2008 | | Take this opportunity to learn more about how your exposure meter works.
Refer to Chapter 3 if you need more explanation.
Decide and set the quality of your images: consider using large, high quality
Set the ISO for the appropriate light conditions:
400 ISO for low light; 200 moderate light; 100 bright light
Choose a scene that has multiple repeating patterns or a scene where the depth of field will be apparent. Photograph the SAME SCENE using these two modes:
1) Use the landscape mode of AV and high number aperture to show deep depth of field;
2) Use the portrait mode or AV and low number aperture to show shallow depth of field.
Find & record the aperture and shutter speed for the above 2 photos.
Print out your favorite deep depth of field; and your favorite shallow depth of field. AND a contact sheet of at least 20 of your images .
Complete a Photo Journal.
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| 10/15/2008 | | Upload your most unique image from the Bremerton field trip, TAG photo with "AU08" and either "IMM136" or "ART136," and two other appropriate tags such as fountain, Bremerton, water,reflection,etc.
CRITIQUE 3 group photos, choose one shot from the previous photographer to upload before your photo upload and two other shots for a total of at least 3 critiques. Refer to the group's DISCUSSION Topic: "The Art of Critique" if you need ideas. | |
| 10/20/2008 | | | |
| 10/20/2008 | | Photograph Karyn Carpenter's Newfy - "Arroyo" Try to get a different perspective, perhaps of other photographers, close-up of newfy head & eye, use your imagination. Include 4x6 print in midterm notebook. | |
| 10/22/2008 | | Ch 4: Controlling Sharpness Ch 5: Capturing Light & Color Ch 9: Displaying & Sharing Photos On-Screen | |
| 10/22/2008 | | | |
| 10/27/2008 | | | |
| 10/29/2008 | | Color Ch 6: Understanding Lenses; Ch 10 will give you some ideas for final projects | |
| 10/29/2008 | | Photograph Karyn Carpenter's Newfy - "Arroyo" Try to get a different perspective, perhaps of other photographers, close-up of newfy head & eye, use your imagination | |
| 10/29/2008 | | Photograph Karyn Carpenter's Newfy - "Arroyo" Try to get a different perspective, perhaps of other photographers, close-up of newfy head & eye, use your imagination | |
| 11/3/2008 | | Apply what you've learned from Karyn Carpenter and wildlife photographers. Photograph your pets or wildlife: salmon in Chico Creek, birds on the Silverdale waterfront, work with foreground elements, shallow depth of field to isolate your subject. Print one 4x6, contact sheet of 20 or more and a photo journal. | |
| 11/5/2008 | | turn in your notebook AND Rubric form with your name on it!
RUBRIC form needs to be updated | |
| 11/12/2008 | | Ch 7: On-Camera Flash Photography Ch 11: Beyond the Still Image | |
| 11/12/2008 | | Photomerge Shoot
Set up your camera for Large jpg; White Balance: test for the best light quality in the room: flourescent, tungsten, daylight,etc. Sea a specific WB.
Set your camera on Manual and take a light meter reading from the “average” or mid-tone area; keep it on Manual. Place on a tripod or central pivot point.
Shoot 4-6 images as a panoramic view; overlap images 15-20%; use PhotoShop Elements 6.0 to Photomerge.
Create a Photomerge panorama composition
Do one of the following:
In the Editor, choose File > New > Photomerge Panorama.
In the Organizer, choose File > New > Photomerge Panorama.
If you selected two or more files from the Editor, click Browse to navigate to the source files or folder you want to use to create the Photomerge Panorama composition. When you’ve added all the source files, click OK to create the Photomerge panorama composition. The source files open automatically and are processed.
If the composition can’t be automatically assembled, a message appears on‑screen. You can assemble the composition manually in the Photomerge dialog box by dragging photos from the lightbox into the work area, and assembling them there manually.
After the new panorama image appears in the Photomerge dialog box, you can work with individual source files and change your view of the work area. If you need to rearrange the order of the images, drag an image in the work area to reposition it, or rearrange the images in the light box. (If necessary, deselect Snap To Image to arrange the images where you want.)
If necessary, adjust the vanishing point or blending settings of your composition.
Click OK to generate the panorama as a new file.
Print one copy for notebook, do Photo Journal and show in class 11/12.
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| 12/1/2008 | | Ch 8: Studio Photography Ch 10: Displaying & Sharing Printing Photos | |
| 12/1/2008 | | Based on Don Paulson's Color Theory presentation, Elements of a Good Photo; Take your inspiration from his nature photography.
Take 30-100 photos Print 2 and print a contact sheet of at least 20 shots.
Upload 2 photos with tags, IMM136 Spr08, COLOR, to the “OC Photography” Group site on Flickr.
Please add the Flickr aspect to the assignment, Don & I may be looking at your photos on Wednesday.
Remember to bring macro subjects on Monday. Class will be in the North Conference Rm., BSC.
Refer to LINKS on class website for info on MACRO. | |
| 12/1/2008 | | Print one photos from the Macro shoot. Write a paragraph about your technique and submit with your final notebook.
photos due 5/21 | |
| 12/1/2008 | | No late notebooks accepted! | |
| 12/1/2008 | | Photomerge Shoot Set up your camera for Color Space:Adobe 1998 RGB Quality: Large jpg White Balance: test for the best light quality in the room: flourescent, tungsten, daylight Set your camera on Manual and take a light meter reading from the “average” or mid-tone area; keep it on Manual Place on a tripod or central pivot point Shoot 4-6 images as a panoramic view; overlap images 15-20%; use PhotoShop Elements 4.0 to Photomerge. Print one copy for notebook and show in class http://www.adobe.com/education/digkids/lessons/smallspaces.html | |
| 12/1/2008 | | anything your heart desires - 1- 4x6 print, no contact required, + 1 Self-Portrait
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| 12/1/2008 | | print a contact sheet and several prints 4x6 or larger, or place on Flickr site shots of fellow students at Silverdale Fine Arts Gallery or other photos you shot that day; include a journal about your experience. | |
| 12/1/2008 | | bring your camera and something to photograph up close | |
| 12/1/2008 | | REVIEW, LINK- COMPOSITIONAL ELEMENTS | |
| 12/1/2008 | | Read two articles and take part in discussion about your thoughts and feelings about the issues in digital photography. Refer to links on this site and others. | |
| 12/1/2008 | | | |
| 12/1/2008 | | Print out your minimum of 5 critiques of classmates photos, use photo vocabulary, refer to the Flickr Discussion of Critique if necessary- Quality of Critique matters!
Downsize PHOTOMERGE IMAGE, then upload to Flickr; Upload MACRO, describe method in caption field. | |
| 12/3/2008 | | class handout | |
| 12/3/2008 | | To learn how to GEOTAG your FLICKR Images go to:
Receive 1 pt extra credit for each two images Geotagged, print the map image and place in notebook.
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| 12/3/2008 | | Remember that in addition to 3 aphorisms, you need to add the aphorism text to one of YOUR PHOTOS! (in Syllabus) Instructions here:
This site has other Q&A for PSE 6.0 | |
| 12/8/2008 | | | |
| 1/7/2009 | | Find your camera. Charge the batteries. Make sure it has at least a 512 mb minimum memory card. Fill out the following: 1) Battery Type, i.e. AA rechargeable, built-in rechargeable; 2) Memory Card Type, i.e. compact flash, SD (secure digital), etc.; 3) current size of your memory cards or how many MB or GB, 512 MB, 1 GB, 2 GB, etc.; 4) How many Megapixels is your sensor: 5 mp, 7.1 mp, 12.3 mp, etc.; 5) What is the Bit Depth of your camera? Check the Index of the User Manual or Specifications on manufacturer's website. PLACE IN YOUR NOTEBOOK. | |
| 1/19/2009 | | | |
| 1/21/2009 | | Shoot a moving object or scene, i.e. moving water, car, skateboarding, animal, person running, etc.
Set ISO on Auto or appropriate for Scene.
Show Motion Blur using a shutter speed equal to or slower than 1/30 of second or use Night Landscape, make sure your flash is turned off.
Show Stopped Action using a fast shutter speed or 1/250 or faster or use Sports of Action Mode or Shutter Priority & dial in a fast shutter speed.
Print a contact sheet of 20 or more shots and one fast action & one slow action. Complete a Photo Journal. Place all in your notebook. | |